<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2414-8938</journal-id>
<journal-title><![CDATA[Academo (Asunción)]]></journal-title>
<abbrev-journal-title><![CDATA[Acad. (Asunción)]]></abbrev-journal-title>
<issn>2414-8938</issn>
<publisher>
<publisher-name><![CDATA[Universidad Americana ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2414-89382025000300207</article-id>
<article-id pub-id-type="doi">10.30545/academo.2025.n3.1278</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Guy Yanai sucesor de Paul Cézanne]]></article-title>
<article-title xml:lang="en"><![CDATA[Guy Yanai successor of Paul Cézanne]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Tillería Aqueveque]]></surname>
<given-names><![CDATA[Leopoldo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Bernardo O&#8217;Higgins  ]]></institution>
<addr-line><![CDATA[Santiago ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>12</volume>
<numero>3</numero>
<fpage>207</fpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.iics.una.py/scielo.php?script=sci_arttext&amp;pid=S2414-89382025000300207&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.iics.una.py/scielo.php?script=sci_abstract&amp;pid=S2414-89382025000300207&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.iics.una.py/scielo.php?script=sci_pdf&amp;pid=S2414-89382025000300207&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN Se realiza una hermenéutica filosófica de la obra del artista visual israelí contemporáneo Guy Yanai. Con ello, se pretende dilucidar su estilo pictórico, el que en principio aparece ligado al figuracionismo convencional. Para ello se formula la siguiente hipótesis, fundada en la hermenéutica de Heidegger: &#8220;La obra figurativa de Guy Yanai, lo presenta, en cuanto &#8216;ser ahí&#8217;, mediante un visible desplazamiento de la cotidianidad, de cara a la comprensión del arte como su más peculiar &#8216;poder ser sí mismo&#8217;&#8221;. El método utilizado es el de caso único, mediante una selección muestral basada en el muestreo teórico y en el método de caso paradigmático. Los hallazgos principales indican, primero, que el estilo de Yanai puede interpretarse perfectamente como el de un figuracionismo pixelado, y, segundo, que Yanai se revela como el &#8220;ser ahí&#8221; heideggeriano que desplaza o desecha la cotidianidad para hacerse cargo de su proyecto de alcanzar su más propio &#8220;poder ser sí mismo&#8221;. Dentro de las cinco metáforas propuestas, se considera la principal la de &#8220;Guy Yanai sucesor de Paul Cézanne&#8221;.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT A philosophical hermeneutic of the work of the contemporary Israeli visual artist Guy Yanai is carried out. In this way, the aim is to elucidate his pictorial style, which in principle appears to be linked to conventional figurationism. To this end, the following hypothesis is formulated, based on Heidegger&#8217;s hermeneutics: &#8220;Guy Yanai&#8217;s figurative work presents him, as &#8216;being there&#8217;, through a visible displacement of everyday life, in order to understand art as its most peculiar &#8216;being able to be itself&#8217;&#8221;. The method used is the single-case method, by means of a sample selection based on theoretical sampling and the paradigmatic case method. The main findings indicate, first, that Yanai&#8217;s style can be perfectly interpreted as that of a pixelated figurationism, and, second, that Yanai reveals himself as the Heideggerian &#8220;being there&#8221; that displaces or discards everydayness in order to take charge of his project of achieving his own most peculiar &#8220;power to be itself&#8221;. Among the five metaphors proposed, the main one is that of &#8220;Guy Yanai successor of Paul Cézanne&#8221;.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Cotidianidad]]></kwd>
<kwd lng="es"><![CDATA[estética]]></kwd>
<kwd lng="es"><![CDATA[figuracionismo cuadriculado]]></kwd>
<kwd lng="es"><![CDATA[Guy Yanai]]></kwd>
<kwd lng="es"><![CDATA[obra de arte]]></kwd>
<kwd lng="en"><![CDATA[Everydayness]]></kwd>
<kwd lng="en"><![CDATA[aesthetics]]></kwd>
<kwd lng="en"><![CDATA[grid figurationism]]></kwd>
<kwd lng="en"><![CDATA[Guy Yanai]]></kwd>
<kwd lng="en"><![CDATA[work of art]]></kwd>
</kwd-group>
</article-meta>
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